You leave this class ready to confidently handle any clip from your backyard or indoors in mixed light, as well as set up for accuracy at a professional shoot. It is for all budgets, all skill levels, and all cameras. This is for both hobbyists and pros, as we cover how to handle color in everyday shooting or controlled lighting, or how to approach any scenario in between. You learn color accuracy and artistry (and the difference between them) in just 12 lessons. Ooh, glad you asked! This new workshop runs live in small groups for 4 weeks and takes all the intimidation out of color, explaining everything in full detail, starting with zero expectation of video color knowledge, ending with several completed exercises and one color-graded and color-corrected film. Wait, did you say “The Color Workshop with Emily Mitchell”? Tell me more! Instead of selling you LUT Adjustments for you to waste money and time on, we just show you how to adjust your clips yourself (and how to not overdo it) - for free! We admit that no preset or LUT is a magic bullet! Depending on the light your clip was shot in, you may need to adjust the exposure, white balance, etc. Our Low Light LUTs (Reveal and Low Light in Group I Understanding and Empathy in Group II) keep noise out when you bring out details from the shadows. Our LUTs are organized from most impactful to most subtle, so you can start by trying out the first ones on higher-contrast clips, last ones on soft-lit clips, etc. These LUTs are designed to exclude major shifts in skin tone variation, which means you maintain a more natural and accurate skin tone despite the look you choose. Our curated list of just 8 LUTs per pack means you’re getting only the best. We’ve carefully studied the limits and crafted clean, fresh, beautiful, and cinematic looks for all light levels.Įveryday Films LUTs have been tested extensively for several years in real life filmmaking projects. A 1080p video clip is only 1920 x 1080 pixels wide there is only so far you can stretch the color. In other words, they’re LUTs for the rest of us! These are not downscaled from Hollywood looks like a lot of giant or free LUT packs, but created from the ground up with the limitations of DSLRs in mind. These are specifically designed for cameras shooting non-raw footage (that is, any camera-standard profile) in 1080p or 4K.
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